MUSICA IAGELLONICA

MUSICA
IAGELLONICA
VOL. 6
YEAR 2012
MUSICA IAGELLONICA
VOL. 6
YEAR 2012
EDITORIAL BOARD
Aleksandra PATALAS (Assistant Editor)
Andrzej SITARZ
Zygmunt M. SZWEYKOWSKI (General Editor)
Piotr WILK
Praca naukowa finansowana w ramach programu Ministra Nauki i Szkolnictwa Wyższego
pod nazwą „Narodowy Program Rozwoju Humanistyki” w latach 2012–2013
Scientific work financed by the Ministry of Science and Higher Education under the name of
the “National Programme for the Development of Humanities” in the years 2012–2013
© Copyright by Musica Iagellonica, Kraków, Poland 2012
ISSN 1233-9679
Musica Iagellonica
ul. Westerplatte 10
31-033 Kraków, Poland
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Musica Iagellonica 2012
ISSN 1233-9679
CONTENTS
Marcin KONIK (Kraków) A reception of the idea of the music of the spheres in the
music theory of the twelfth and thirteenth centuries . . . . . . . . . . . . . . . . 5
Zygmunt M. SZWEYKOWSKI (Kraków) Recitative in the female roles of Stefano
Landi’s Il Sant’Alessio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Wojciech MARCHWICA (Kraków) Sarmatisation of the Polish Christmas carol—
posthumous success of the Jagiellonian dynastic ideology . . . . . . . . . . . . . . 71
Piotr WILK (Kraków) On the question of the Baroque instrumental concerto typology 83
Maciej JOCHYMCZYK (Kraków) Musica figuralis franciscana. Distinctive features of
the musical tradition of the Franciscan Order in the 18th century illustrated by arrangements of compositions by Father Amandus Ivanschiz OSPPE . . . . . . . . . 105
Renata SUCHOWIEJKO (Kraków) Between the salon and the concert hall. Maria Szymanowska’s artistic career from behind the scenes . . . . . . . . . . . . . . . . . 123
Małgorzata SUŁEK (Kraków) Outline of the biography of count Kazimierz Lubomirski
and analysis of his vocal works, using the example of the songs written to the lyrics
by Adam Mickiewicz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Anna G. PIOTROWSKA (Kraków) An early 20th-century Kraków vaudeville by
Krumłowski: a cultural transfer or an expression of local traditions? . . . . . . . . 161
Małgorzata WOŹNA-STANKIEWICZ (Kraków) Popularisation of knowledge about
Chopin in Kraków and the provinces during the first decades of the 20th century . 177
Dagmara ŁOPATOWSKA-ROMSVIK (Kraków) With Norwegian sense of beauty.
Synthesis of classical form and Norwegian slått in Eivind Groven’s Symphony No. 2 209
Andrzej SITARZ (Kraków) In the shadow of PWM (the Polish Music Publishing
House). On some private music publishing houses in Poland in the first decade after
the Second World War . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225
Stanisław BĘDKOWSKI (Kraków) Symphonic tribute to Mieczysław Karłowicz—
Kościelec 1909 by Wojciech Kilar . . . . . . . . . . . . . . . . . . . . . . . . . . . 247